A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 304
... discourse . Secondary forms of discourse are those built up out of other forms of discourse ; primary forms of discourse are those which are not a func- tion of other forms of discourse . The present position is that there are three ...
... discourse . Secondary forms of discourse are those built up out of other forms of discourse ; primary forms of discourse are those which are not a func- tion of other forms of discourse . The present position is that there are three ...
Pagina 305
... discourse and the pro- cedures utilized in the control of such discourse . Science as a whole ministers to man's need to be able to determine correctly his expectations , and hence his activity , in terms of the evidence which lies at ...
... discourse and the pro- cedures utilized in the control of such discourse . Science as a whole ministers to man's need to be able to determine correctly his expectations , and hence his activity , in terms of the evidence which lies at ...
Pagina 309
... discourse , engineering discourse , agri- cultural discourse , and the like . Each profession has its own imperatives , its own oughts , relative to the values it seeks to control . The question as to the relation of morality to ...
... discourse , engineering discourse , agri- cultural discourse , and the like . Each profession has its own imperatives , its own oughts , relative to the values it seeks to control . The question as to the relation of morality to ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words