A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 304
... discourse . Secondary forms of discourse are those built up out of other forms of discourse ; primary forms of discourse are those which are not a func- tion of other forms of discourse . The present position is that there are three ...
... discourse . Secondary forms of discourse are those built up out of other forms of discourse ; primary forms of discourse are those which are not a func- tion of other forms of discourse . The present position is that there are three ...
Pagina 305
... discourse and the pro- cedures utilized in the control of such discourse . Science as a whole ministers to man's need to be able to determine correctly his expectations , and hence his activity , in terms of the evidence which lies at ...
... discourse and the pro- cedures utilized in the control of such discourse . Science as a whole ministers to man's need to be able to determine correctly his expectations , and hence his activity , in terms of the evidence which lies at ...
Pagina 309
... discourse , engineering discourse , agri- cultural discourse , and the like . Each profession has its own imperatives , its own oughts , relative to the values it seeks to control . The question as to the relation of morality to ...
... discourse , engineering discourse , agri- cultural discourse , and the like . Each profession has its own imperatives , its own oughts , relative to the values it seeks to control . The question as to the relation of morality to ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole