A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 101
... distinction of fancy from thought , because from the distinction comes opposition , and from opposition concrete unity . Ideality ( as has also been called this character that dis- tinguishes the intuition from the concept , art from ...
... distinction of fancy from thought , because from the distinction comes opposition , and from opposition concrete unity . Ideality ( as has also been called this character that dis- tinguishes the intuition from the concept , art from ...
Pagina 104
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety — that is to say , the multiple images were to find their common ...
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety — that is to say , the multiple images were to find their common ...
Pagina 200
... distinction between them is important . One factor of this distinction is that while esthetic judgments are mainly positive , that is , perceptions of good , moral judg- ments are mainly and fundamentally negative , or percep- tions of ...
... distinction between them is important . One factor of this distinction is that while esthetic judgments are mainly positive , that is , perceptions of good , moral judg- ments are mainly and fundamentally negative , or percep- tions of ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole