A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 4
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( i.e. , the knowing of what is individual ) . As distinguished from practice , art is directed ...
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( i.e. , the knowing of what is individual ) . As distinguished from practice , art is directed ...
Pagina 382
... distinguished between the scientific and the esthetic attitude . Since the publication of Kant's Critique of Judgment , disinterestedness ( which of course is not uninterestedness ) has been commonly recognized as characteristic of the ...
... distinguished between the scientific and the esthetic attitude . Since the publication of Kant's Critique of Judgment , disinterestedness ( which of course is not uninterestedness ) has been commonly recognized as characteristic of the ...
Pagina 475
... distinguished for its allegiance to Aristotelian principles derived from the Poetics , flourished in the seventeenth and eighteenth cen- turies . " Romantic " criticism , which was preponderantly re - creative and which was distinguished ...
... distinguished for its allegiance to Aristotelian principles derived from the Poetics , flourished in the seventeenth and eighteenth cen- turies . " Romantic " criticism , which was preponderantly re - creative and which was distinguished ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole