A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 156
An Anthology Melvin Miller Rader. CHRISTOPHER CAUDWELL POETRY'S DREAM - WORK § I Dream is neither directed thinking nor directed feeling , but free - that is non - social - association . Hence the associ- ations of dream are personal and ...
An Anthology Melvin Miller Rader. CHRISTOPHER CAUDWELL POETRY'S DREAM - WORK § I Dream is neither directed thinking nor directed feeling , but free - that is non - social - association . Hence the associ- ations of dream are personal and ...
Pagina 169
... dream , poetic technique is similar to dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . ' A dream consists of two layers . Obvious is the manifest content . We ...
... dream , poetic technique is similar to dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . ' A dream consists of two layers . Obvious is the manifest content . We ...
Pagina 358
... dream ; it is for the mo- ment , in fact , his dream . And he can and does remain in the dream because the artist has so fashioned his work that everything there tends to continue and deepen it , and nothing to disturb and interrupt it ...
... dream ; it is for the mo- ment , in fact , his dream . And he can and does remain in the dream because the artist has so fashioned his work that everything there tends to continue and deepen it , and nothing to disturb and interrupt it ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words