A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 125
... effect with causes that are too deep- seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
... effect with causes that are too deep- seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
Pagina 198
... effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a ...
... effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a ...
Pagina 277
... effects , that its effect upon the listener is of no consequence . If it pro- duced no effects of any kind upon anybody , what would be the reason for its existence ? When Hanslick says that “ the beautiful , strictly speaking , aims at ...
... effects , that its effect upon the listener is of no consequence . If it pro- duced no effects of any kind upon anybody , what would be the reason for its existence ? When Hanslick says that “ the beautiful , strictly speaking , aims at ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole