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Pagina 125
Το penetrate too far into the personality , to couple the outer effect with causes that are too deep- seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to ...
Το penetrate too far into the personality , to couple the outer effect with causes that are too deep- seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to ...
Pagina 198
If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a quarter of an hour , Voyons ...
If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a quarter of an hour , Voyons ...
Pagina 277
Now , to approach the matter from the other direction , I cannot think that when Gurney and Hanslick say that music has " no meaning " they intend to say that it should have no meaning in the sense of no evoked effects , that its effect ...
Now , to approach the matter from the other direction , I cannot think that when Gurney and Hanslick say that music has " no meaning " they intend to say that it should have no meaning in the sense of no evoked effects , that its effect ...
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Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |