A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 357
... element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake ...
... element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake ...
Pagina 361
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satis- factory , for the contrasting elements must offset each other , they must balance . In color , the ...
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satis- factory , for the contrasting elements must offset each other , they must balance . In color , the ...
Pagina 369
... elements in each of these modes . Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which occupies a position of commanding im- portance there . These elements always embody ...
... elements in each of these modes . Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which occupies a position of commanding im- portance there . These elements always embody ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words