A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 357
... element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake ...
... element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake ...
Pagina 361
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satis- factory , for the contrasting elements must offset each other , they must balance . In color , the ...
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satis- factory , for the contrasting elements must offset each other , they must balance . In color , the ...
Pagina 369
... elements in each of these modes . Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which occupies a position of commanding im- portance there . These elements always embody ...
... elements in each of these modes . Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which occupies a position of commanding im- portance there . These elements always embody ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole