A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 205
... embodiment of eternal attributes , of essences which , like beauty , make us happy only in con- templation ? The glory of heaven could not be otherwise symbolized than by light and music . Even the knowledge of truth , which the most ...
... embodiment of eternal attributes , of essences which , like beauty , make us happy only in con- templation ? The glory of heaven could not be otherwise symbolized than by light and music . Even the knowledge of truth , which the most ...
Pagina 235
... embodiment ; that is , in a word , the secret of beauty . 1 Why , then , in general does a worker in clay make dif- ferent decorative patterns from a worker in wrought - iron ? I wish I could go into this question with illustrations and ...
... embodiment ; that is , in a word , the secret of beauty . 1 Why , then , in general does a worker in clay make dif- ferent decorative patterns from a worker in wrought - iron ? I wish I could go into this question with illustrations and ...
Pagina 239
... embodiment , yet also the embodiment is neces- sary to feeling . To say that because beauty implies a mind , therefore it is an internal state , and BERNARD BOSANQUET 239.
... embodiment , yet also the embodiment is neces- sary to feeling . To say that because beauty implies a mind , therefore it is an internal state , and BERNARD BOSANQUET 239.
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words