A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 452
... empathy and which seeks to suppress just that in which the need of empathy finds its satisfaction . " The tendency to abstraction appears to us as the polar opposite of the need of empathy . To analyze it and to establish the ...
... empathy and which seeks to suppress just that in which the need of empathy finds its satisfaction . " The tendency to abstraction appears to us as the polar opposite of the need of empathy . To analyze it and to establish the ...
Pagina 464
... Empathy really is . The first of these two main mis- interpretations is based upon the reflexive form of the Ger- man verb " sich einfühlen " ( to feel oneself into ) and it de- fines , or rather does not define , Empathy as a ...
... Empathy really is . The first of these two main mis- interpretations is based upon the reflexive form of the Ger- man verb " sich einfühlen " ( to feel oneself into ) and it de- fines , or rather does not define , Empathy as a ...
Pagina 452
... empathy and which seeks to suppress just that in which the need of empathy finds its satisfaction . " The tendency to abstraction appears to us as the polar opposite of the need of empathy . To analyze it and to establish the ...
... empathy and which seeks to suppress just that in which the need of empathy finds its satisfaction . " The tendency to abstraction appears to us as the polar opposite of the need of empathy . To analyze it and to establish the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words