A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 257
... esthetic aspects of the physical media that are the bearers of esthetic form and quality . And esthetics is forced into considering such media , and various non - esthetic purposes , if for no other reason than to distinguish practical ...
... esthetic aspects of the physical media that are the bearers of esthetic form and quality . And esthetics is forced into considering such media , and various non - esthetic purposes , if for no other reason than to distinguish practical ...
Pagina 321
... esthetic emotion , we must give to the word an over - strict and unfamiliar definition . Every one sometimes uses ... esthetic and the non- esthetic use ; but when we speak of a beautiful woman there is . When an ordinary man speaks of a ...
... esthetic emotion , we must give to the word an over - strict and unfamiliar definition . Every one sometimes uses ... esthetic and the non- esthetic use ; but when we speak of a beautiful woman there is . When an ordinary man speaks of a ...
Pagina 498
... esthetic contemplation may affect the rest of one's life , and how . The value other than esthetic that esthetic feelings may have depends upon the fact that if , when a feeling has been obtained through esthetic contemplation , the ...
... esthetic contemplation may affect the rest of one's life , and how . The value other than esthetic that esthetic feelings may have depends upon the fact that if , when a feeling has been obtained through esthetic contemplation , the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words