A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 209
... value of a principle is one thing , and its intrinsic or esthetic value is another , and that the latter can be justly counted only as an item in its favor to be weighed against possible external disadvantages . Whenever this comparison ...
... value of a principle is one thing , and its intrinsic or esthetic value is another , and that the latter can be justly counted only as an item in its favor to be weighed against possible external disadvantages . Whenever this comparison ...
Pagina 225
... esthetic value . As beauty was not mere pleasure but rather objectified pleasure , so esthetic values are not mere emotions but only such emotions as are objectified . And neither pleasure nor any other feeling is objectified , that is ...
... esthetic value . As beauty was not mere pleasure but rather objectified pleasure , so esthetic values are not mere emotions but only such emotions as are objectified . And neither pleasure nor any other feeling is objectified , that is ...
Pagina 508
... esthetic value lies not alone in what it can do in the esthetic field , but in its conformity with a mode of handling all ... value runs out into all life , though it runs pretty thinly through 6 Ibid . , p . 12 . 1 much of it . It is ...
... esthetic value lies not alone in what it can do in the esthetic field , but in its conformity with a mode of handling all ... value runs out into all life , though it runs pretty thinly through 6 Ibid . , p . 12 . 1 much of it . It is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words