A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina xiv
... estheticians , ancient and modern , to illustrate the recogni- tion in all ages that art is the expression of mood , feeling , or spirit . That art is expressive rather than merely de- scriptive is as well established as any fact in the ...
... estheticians , ancient and modern , to illustrate the recogni- tion in all ages that art is the expression of mood , feeling , or spirit . That art is expressive rather than merely de- scriptive is as well established as any fact in the ...
Pagina 231
... estheticians , and it has had an extraordinary cleansing and renovating effect upon the arts . For example , the work of an architect such as Frank Lloyd Wright , a designer such as Moholy Nagy , a sculptor such as Henry Moore , or a ...
... estheticians , and it has had an extraordinary cleansing and renovating effect upon the arts . For example , the work of an architect such as Frank Lloyd Wright , a designer such as Moholy Nagy , a sculptor such as Henry Moore , or a ...
Pagina 312
... estheticians have disagreed as to the meaning of form . A number of writers have inter- preted form as sheer abstract design , to the exclusion of connotations and representations . This point of view was championed in musical esthetics ...
... estheticians have disagreed as to the meaning of form . A number of writers have inter- preted form as sheer abstract design , to the exclusion of connotations and representations . This point of view was championed in musical esthetics ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words