A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina xiii
... example , emphasize emotion and imagination when they are speaking of creation ; form when they are referring to the work of art ; and distance or isolation when they are discussing appreciation . " Many unnecessary disputes , " as ...
... example , emphasize emotion and imagination when they are speaking of creation ; form when they are referring to the work of art ; and distance or isolation when they are discussing appreciation . " Many unnecessary disputes , " as ...
Pagina 27
... example , or the ammonite - obey absolutely uniform mathematical laws , due to a varying ratio in the rate of growth of the outer as compared with the inner surface of what would be , if the rates of growth were uniform , a tubular or ...
... example , or the ammonite - obey absolutely uniform mathematical laws , due to a varying ratio in the rate of growth of the outer as compared with the inner surface of what would be , if the rates of growth were uniform , a tubular or ...
Pagina 375
... examples of artists of this sort from the Greek poets to Fielding and Coleridge and Keats . In music , Bach is an obvious example . " Bach was one of the most con- ventional composers who ever existed . He accepted forms and formulas ...
... examples of artists of this sort from the Greek poets to Fielding and Coleridge and Keats . In music , Bach is an obvious example . " Bach was one of the most con- ventional composers who ever existed . He accepted forms and formulas ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole