Dall'interno del libro
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Pagina xiii
Clive Bell and Roger Fry, for example, emphasize emotion and imagination when
they are speaking of creation; form when they are referring to the work of art; and
distance or isolation when they are discussing appreciation.
Clive Bell and Roger Fry, for example, emphasize emotion and imagination when
they are speaking of creation; form when they are referring to the work of art; and
distance or isolation when they are discussing appreciation.
Pagina 27
Of the first class, good examples are provided.by the spiral conformations of
many natural growths. ... In their growth these shells—the pearly nautilus, for
example, or the ammonite—obey absolutely uniform mathematical laws, due to a
varying ...
Of the first class, good examples are provided.by the spiral conformations of
many natural growths. ... In their growth these shells—the pearly nautilus, for
example, or the ammonite—obey absolutely uniform mathematical laws, due to a
varying ...
Pagina 375
In literature there have been myriad examples of artists of this sort from the Greek
poets to Fielding and Coleridge and Keats. In music, Bach is an obvious example
. “Bach was one of the most conventional composers who ever existed.
In literature there have been myriad examples of artists of this sort from the Greek
poets to Fielding and Coleridge and Keats. In music, Bach is an obvious example
. “Bach was one of the most conventional composers who ever existed.
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitudes beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original ourselves painting particular patterns perception person phantasies physical picture play pleasure poem poet poetic poetry possible practical present produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social soul sound speak symbols theory things thought tion true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |