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Pagina xiii
Clive Bell and Roger Fry , for example , emphasize emotion and imagination when they are speaking of creation ; form when they are referring to the work of art ; and distance or isolation when they are discussing appreciation .
Clive Bell and Roger Fry , for example , emphasize emotion and imagination when they are speaking of creation ; form when they are referring to the work of art ; and distance or isolation when they are discussing appreciation .
Pagina 27
Of the first class , good examples are provided by the spiral conformations of many natural growths . ... In their growth these shells — the pearly nautilus , for example , or the ammonite - obey absolutely uniform mathematical laws ...
Of the first class , good examples are provided by the spiral conformations of many natural growths . ... In their growth these shells — the pearly nautilus , for example , or the ammonite - obey absolutely uniform mathematical laws ...
Pagina 375
In literature there have been myriad examples of artists of this sort from the Greek poets to Fielding and Coleridge and Keats . In music , Bach is an obvious example . “ Bach was one of the most conventional composers who ever existed ...
In literature there have been myriad examples of artists of this sort from the Greek poets to Fielding and Coleridge and Keats . In music , Bach is an obvious example . “ Bach was one of the most conventional composers who ever existed ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |