A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 59
... existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is not of critical or universal importance to life , and its emotional effect is neither so deep nor so clearly ...
... existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is not of critical or universal importance to life , and its emotional effect is neither so deep nor so clearly ...
Pagina 87
... existence of intervals , periods in which one phase is ceasing and the other is inchoate and preparing . William James aptly compared the course of a conscious experience to the alternate flights and perchings of a bird . The flights ...
... existence of intervals , periods in which one phase is ceasing and the other is inchoate and preparing . William James aptly compared the course of a conscious experience to the alternate flights and perchings of a bird . The flights ...
Pagina 458
... existence in general , from the appar- ent arbitrariness of organic existence . Life as such is felt as the disturber of esthetic enjoyment . That even the need for empathy , as the starting - point of esthetic experience , represents ...
... existence in general , from the appar- ent arbitrariness of organic existence . Life as such is felt as the disturber of esthetic enjoyment . That even the need for empathy , as the starting - point of esthetic experience , represents ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole