A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 62
... experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are composed into an experience . There is distraction ...
... experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are composed into an experience . There is distraction ...
Pagina 73
... experience comes to a close . What is true of this simple instance is true , as to form , of every experience . The creature operating may be a thinker in his study and the environment with which he interacts may consist of ideas ...
... experience comes to a close . What is true of this simple instance is true , as to form , of every experience . The creature operating may be a thinker in his study and the environment with which he interacts may consist of ideas ...
Pagina 280
... experience is unique and at best only approximately describable , each musical experience is , if we may use the expression , even more unique - for here we have not only the rich individuality of the life - experiences but the ...
... experience is unique and at best only approximately describable , each musical experience is , if we may use the expression , even more unique - for here we have not only the rich individuality of the life - experiences but the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole