A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina xix
... expression is the language of appreciations . Art is the expression of values , both individual and social . II The Fourfold Approach to Art In the light of the foregoing definition of art , we can characterize art in terms of four ...
... expression is the language of appreciations . Art is the expression of values , both individual and social . II The Fourfold Approach to Art In the light of the foregoing definition of art , we can characterize art in terms of four ...
Pagina 91
... expression of " feeling . " " Feeling " does not mean merely emotion , but rather any subjective mood , including volitional attitudes . " We do not ask the artist for a philosophical system nor for a relation of facts , " Croce ...
... expression of " feeling . " " Feeling " does not mean merely emotion , but rather any subjective mood , including volitional attitudes . " We do not ask the artist for a philosophical system nor for a relation of facts , " Croce ...
Pagina 262
... expression . And yet , 10 In ninety - nine percent of the current talk and writing about music and composers , it is implied ( even where not definitely stated ) that music is primarily an art of expression ; that it is " the language ...
... expression . And yet , 10 In ninety - nine percent of the current talk and writing about music and composers , it is implied ( even where not definitely stated ) that music is primarily an art of expression ; that it is " the language ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words