A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 158
... external reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the ... external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction ...
... external reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the ... external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction ...
Pagina 172
... external reality . The manifest content is symbolic of a certain piece of external reality - be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in ...
... external reality . The manifest content is symbolic of a certain piece of external reality - be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in ...
Pagina 174
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words