A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 158
... external reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the ... external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction ...
... external reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the ... external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction ...
Pagina 172
... external reality . The manifest content is symbolic of a certain piece of external reality - be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in ...
... external reality . The manifest content is symbolic of a certain piece of external reality - be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in ...
Pagina 174
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole