Dall'interno del libro
Risultati 1-3 di 63
Pagina 158
away not from the immediate environment of the reader but from the environment
(or external reality) depicted in the poem. Hence poetry in its use of language
continually distorts and denies the structure of reality to exalt the structure of the ...
away not from the immediate environment of the reader but from the environment
(or external reality) depicted in the poem. Hence poetry in its use of language
continually distorts and denies the structure of reality to exalt the structure of the ...
Pagina 172
The answer is, because poetry is an adaptation to external reality. It is an
emotional attitude towards the world. It is made of language and language was
created to signify otherness, to indicate portions of objective reality shared
socially.
The answer is, because poetry is an adaptation to external reality. It is an
emotional attitude towards the world. It is made of language and language was
created to signify otherness, to indicate portions of objective reality shared
socially.
Pagina 174
It is impossible to have affects in poetry without their adherence to symbols of
external reality, for poetry's affects (in so far as they are poetic) are social, and it is
impossible for different subjects to be linked except by a common object (by ...
It is impossible to have affects in poetry without their adherence to symbols of
external reality, for poetry's affects (in so far as they are poetic) are social, and it is
impossible for different subjects to be linked except by a common object (by ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitudes beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original ourselves painting particular patterns perception person phantasies physical picture play pleasure poem poet poetic poetry possible practical present produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social soul sound speak symbols theory things thought tion true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |