Dall'interno del libro
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Pagina 158
away not from the immediate environment of the reader but from the environment
( or external reality ) depicted in the poem . Hence poetry in its use of language
continually distorts and denies the structure of reality to exalt the structure of the ...
away not from the immediate environment of the reader but from the environment
( or external reality ) depicted in the poem . Hence poetry in its use of language
continually distorts and denies the structure of reality to exalt the structure of the ...
Pagina 172
The answer is , because poetry is an adaptation to external reality . It is an
emotional attitude towards the world . It is made of language and language was
created to signify otherness , to indicate portions of objective reality shared
socially .
The answer is , because poetry is an adaptation to external reality . It is an
emotional attitude towards the world . It is made of language and language was
created to signify otherness , to indicate portions of objective reality shared
socially .
Pagina 174
It is impossible to have affects in poetry without their adherence to symbols of
external reality , for poetry's affects ( in so far as they are poetic ) are social , and it
is impossible for different subjects to be linked except by a common object ( by ...
It is impossible to have affects in poetry without their adherence to symbols of
external reality , for poetry's affects ( in so far as they are poetic ) are social , and it
is impossible for different subjects to be linked except by a common object ( by ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |