A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina xiv
... fact in the whole field of esthetics . Of course , there is some disagreement about what side or aspect of the human ... fact if a number of people , upon care- fully measuring X , find it to be square . We can be most sure that ...
... fact in the whole field of esthetics . Of course , there is some disagreement about what side or aspect of the human ... fact if a number of people , upon care- fully measuring X , find it to be square . We can be most sure that ...
Pagina 109
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
Pagina 283
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD . I The Neutralization of Nature The poets are failing us , or we them ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD . I The Neutralization of Nature The poets are failing us , or we them ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words