A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina xiv
... fact in the whole field of esthetics . 5 Of course , there is some disagreement about what side or aspect of the ... fact if a number of people , upon care- fully measuring X , find it to be square . We can be most sure that something is ...
... fact in the whole field of esthetics . 5 Of course , there is some disagreement about what side or aspect of the ... fact if a number of people , upon care- fully measuring X , find it to be square . We can be most sure that something is ...
Pagina 109
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
Pagina 283
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD . I The Neutralization of Nature The poets are failing us , or we them ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD . I The Neutralization of Nature The poets are failing us , or we them ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole