Dall'interno del libro
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Pagina xiv
Tharart is expressive rather than merely descriptive is as well established as any
fact in the whole field of esthetics. Of course, there is some disagreement about
what side or aspect of the human mind is expressed in art. Maritain, for example ...
Tharart is expressive rather than merely descriptive is as well established as any
fact in the whole field of esthetics. Of course, there is some disagreement about
what side or aspect of the human mind is expressed in art. Maritain, for example ...
Pagina 109
There is a sure method of distinguishing true intuition, true representation, from
that which is inferior to it; the spiritual fact from the mechanical, passive, natural
fact. Every true intuition or representation is also expression. That which does not
...
There is a sure method of distinguishing true intuition, true representation, from
that which is inferior to it; the spiritual fact from the mechanical, passive, natural
fact. Every true intuition or representation is also expression. That which does not
...
Pagina 283
Our religion has materialised itself in the fact, in the supposed fact; it has attached
its emotion to the fact, and now the fact is failing it. But for poetry the idea is
everything.—MATTHEw ARNOLD. I The Neutralization of Nature The poets are ...
Our religion has materialised itself in the fact, in the supposed fact; it has attached
its emotion to the fact, and now the fact is failing it. But for poetry the idea is
everything.—MATTHEw ARNOLD. I The Neutralization of Nature The poets are ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitudes beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original ourselves painting particular patterns perception person phantasies physical picture play pleasure poem poet poetic poetry possible practical present produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social soul sound speak symbols theory things thought tion true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |