A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 482
... feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself , or , possibly , his mother or his wife . Conscious objectification of feeling , as defined by ...
... feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself , or , possibly , his mother or his wife . Conscious objectification of feeling , as defined by ...
Pagina 483
... feeling need become different through the process of objectification . Indeed , the qualitative identity of the feeling before and after ob- jectification is an absolute prerequisite , if one is to be able to say that it is that feeling ...
... feeling need become different through the process of objectification . Indeed , the qualitative identity of the feeling before and after ob- jectification is an absolute prerequisite , if one is to be able to say that it is that feeling ...
Pagina 484
... feeling which this now objecti- fies is truly a part of myself . " But when the critic on this basis , is some one else than the artist , that critic is then not trying to objectify his feeling himself , nor therefore is he called upon ...
... feeling which this now objecti- fies is truly a part of myself . " But when the critic on this basis , is some one else than the artist , that critic is then not trying to objectify his feeling himself , nor therefore is he called upon ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words