A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 482
... feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself , or , possibly , his mother or his wife . Conscious objectification of feeling , as defined by ...
... feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself , or , possibly , his mother or his wife . Conscious objectification of feeling , as defined by ...
Pagina 483
... feeling need become different through the process of objectification . Indeed , the qualitative identity of the feeling before and after ob- jectification is an absolute prerequisite , if one is to be able to say that it is that feeling ...
... feeling need become different through the process of objectification . Indeed , the qualitative identity of the feeling before and after ob- jectification is an absolute prerequisite , if one is to be able to say that it is that feeling ...
Pagina 484
... feeling which this now objecti- fies is truly a part of myself . " But when the critic on this basis , is some one else than the artist , that critic is then not trying to objectify his feeling himself , nor therefore is he called upon ...
... feeling which this now objecti- fies is truly a part of myself . " But when the critic on this basis , is some one else than the artist , that critic is then not trying to objectify his feeling himself , nor therefore is he called upon ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole