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Pagina 482
has been said as to that , i.e. , as to the success of his attempt at objective expression of his feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself ...
has been said as to that , i.e. , as to the success of his attempt at objective expression of his feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself ...
Pagina 483
feeling , as a result of the process of objectification . Such a gain in clearness and vividness beyond question occurs , but it is the only respect in which the feeling need become different through the process of objectification .
feeling , as a result of the process of objectification . Such a gain in clearness and vividness beyond question occurs , but it is the only respect in which the feeling need become different through the process of objectification .
Pagina 484
ceeds to alter the object he has created until he finds him- self able to say : " Yes , the feeling which this now objecti- fies is truly a part of myself . " But when the critic on this basis , is some one else than the artist ...
ceeds to alter the object he has created until he finds him- self able to say : " Yes , the feeling which this now objecti- fies is truly a part of myself . " But when the critic on this basis , is some one else than the artist ...
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Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |