Dall'interno del libro
Risultati 1-3 di 83
Pagina 482
has been said as to that , i.e. , as to the success of his attempt at objective expression of his feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself ...
has been said as to that , i.e. , as to the success of his attempt at objective expression of his feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself ...
Pagina 483
feeling , as a result of the process of objectification . Such a gain in clearness and vividness beyond question occurs , but it is the only respect in which the feeling need become different through the process of objectification .
feeling , as a result of the process of objectification . Such a gain in clearness and vividness beyond question occurs , but it is the only respect in which the feeling need become different through the process of objectification .
Pagina 484
ceeds to alter the object he has created until he finds himself able to say : “ Yes , the feeling which this now objectifies is truly a part of myself . ” But when the critic on this basis , is some one else than the artist ...
ceeds to alter the object he has created until he finds himself able to say : “ Yes , the feeling which this now objectifies is truly a part of myself . ” But when the critic on this basis , is some one else than the artist ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |