A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina xxxv
... function and expresses the broadest human interests . In its widest mean- ing , esthetic art is any selection or control of concrete qualities so as to evoke an acquaintance with the values realizable through them . From this standpoint ...
... function and expresses the broadest human interests . In its widest mean- ing , esthetic art is any selection or control of concrete qualities so as to evoke an acquaintance with the values realizable through them . From this standpoint ...
Pagina xxxvi
... function , he need be no more queer , no more separated from life than you or I. The frequent tendency in our society for the artist to be a neurotic or an irresponsible " bohemian " is a reflection upon our social order rather than a ...
... function , he need be no more queer , no more separated from life than you or I. The frequent tendency in our society for the artist to be a neurotic or an irresponsible " bohemian " is a reflection upon our social order rather than a ...
Pagina 154
... function may vary from person to person , particularly as a result of mental disease . " It can easily be imagined ... Function of the Artist With such a theory we could then go on to explain the social function of the artist . His ...
... function may vary from person to person , particularly as a result of mental disease . " It can easily be imagined ... Function of the Artist With such a theory we could then go on to explain the social function of the artist . His ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words