A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 165
... genotype whose secret desires link in one endless series all human culture . Now this genotype can be considered from two aspects : the timeless and the timeful , the changeless and changeful , the general and the particular . ( a ) ...
... genotype whose secret desires link in one endless series all human culture . Now this genotype can be considered from two aspects : the timeless and the timeful , the changeless and changeful , the general and the particular . ( a ) ...
Pagina 178
... genotype's instincts , but since the instinctive genotype is nothing but an un- conscious and dynamic desire it remolds external reality nearer to the heart's desire . Art becomes more socially and biologically valuable and greater art ...
... genotype's instincts , but since the instinctive genotype is nothing but an un- conscious and dynamic desire it remolds external reality nearer to the heart's desire . Art becomes more socially and biologically valuable and greater art ...
Pagina 179
... genotype we see is the genotype stamped with all the possibilities and grandeur of mankind- an elaboration which in its turn is extracted by society from the rest of reality . Art gives us so many glimpses of the inner heart of life ...
... genotype we see is the genotype stamped with all the possibilities and grandeur of mankind- an elaboration which in its turn is extracted by society from the rest of reality . Art gives us so many glimpses of the inner heart of life ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words