A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 298
... given with regard to the prob- able consequences of recent progress in psychology , not only for religion but for the whole fabric of our traditional beliefs about ourselves . In many quarters there is a tend- ency to suppose that the ...
... given with regard to the prob- able consequences of recent progress in psychology , not only for religion but for the whole fabric of our traditional beliefs about ourselves . In many quarters there is a tend- ency to suppose that the ...
Pagina 488
... given up to this point has remained throughout essentially independent of the notion of beauty . But the endeavor persistently through the present work to leave that notion out wher- ever possible is not due to an underestimation of the ...
... given up to this point has remained throughout essentially independent of the notion of beauty . But the endeavor persistently through the present work to leave that notion out wher- ever possible is not due to an underestimation of the ...
Pagina 502
... given taste be possessed by one person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is ...
... given taste be possessed by one person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole