A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 298
... given with regard to the prob- able consequences of recent progress in psychology , not only for religion but for the whole fabric of our traditional beliefs about ourselves . In many quarters there is a tend- ency to suppose that the ...
... given with regard to the prob- able consequences of recent progress in psychology , not only for religion but for the whole fabric of our traditional beliefs about ourselves . In many quarters there is a tend- ency to suppose that the ...
Pagina 371
... given them by the painter and the personages represented in their dramatic relationships , since these also enter into the total structure put there by the artist . Change a shape , substitute in Tintoretto's " Miracle of the Slave " or ...
... given them by the painter and the personages represented in their dramatic relationships , since these also enter into the total structure put there by the artist . Change a shape , substitute in Tintoretto's " Miracle of the Slave " or ...
Pagina 502
... given taste be possessed by one person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is ...
... given taste be possessed by one person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words