A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina xxvi
... hand , we have writers such as I. A. Richards who insist that art is primarily " emotive , " and that the artist as such does not assert veri- fiable truths . On the other hand , we have writers such as Theodore M. Greene who believe ...
... hand , we have writers such as I. A. Richards who insist that art is primarily " emotive , " and that the artist as such does not assert veri- fiable truths . On the other hand , we have writers such as Theodore M. Greene who believe ...
Pagina 80
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
Pagina 457
... hand the approximation to flat representation , and on the other hand strict suppression of the representa- tion of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
... hand the approximation to flat representation , and on the other hand strict suppression of the representa- tion of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole