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Pagina xxvi
On the one hand , we have writers such as I. A. Richards who insist that art is primarily " emotive , " and that the artist as such does not assert verifiable truths . On the other hand , we have writers such as Theodore M. Greene who ...
On the one hand , we have writers such as I. A. Richards who insist that art is primarily " emotive , " and that the artist as such does not assert verifiable truths . On the other hand , we have writers such as Theodore M. Greene who ...
Pagina 80
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
Pagina 457
A decisive consequence of such an artistic purpose was on the one hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form .
A decisive consequence of such an artistic purpose was on the one hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form .
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |