A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 470
... historical phenomenon - the product of a specific artist in a specific school , period , and culture , and an exemplification of stylistic characteristics which it shares with other works by the same artist and of the same school ...
... historical phenomenon - the product of a specific artist in a specific school , period , and culture , and an exemplification of stylistic characteristics which it shares with other works by the same artist and of the same school ...
Pagina 471
... historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative criti- cism ...
... historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative criti- cism ...
Pagina 475
... historical scholarship in literature and the fine arts achieved increasing importance during the second half of the nineteenth century and is still the dominant critical approach to art . These move- ments , I must repeat , differ from ...
... historical scholarship in literature and the fine arts achieved increasing importance during the second half of the nineteenth century and is still the dominant critical approach to art . These move- ments , I must repeat , differ from ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words