A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina xxxv
... human experience in concrete terms ; but it is also , as the contextualists maintain , a fundamental human function and expresses the broadest human interests . In its widest mean- ing , esthetic art is any selection or control of ...
... human experience in concrete terms ; but it is also , as the contextualists maintain , a fundamental human function and expresses the broadest human interests . In its widest mean- ing , esthetic art is any selection or control of ...
Pagina 302
... human activities and their inter- relations . The theme is an old one , and many pages by many writers in many ... human culture.1 $ 2 The utilization of the theory of signs for an approach to cultural activities is grounded in the ...
... human activities and their inter- relations . The theme is an old one , and many pages by many writers in many ... human culture.1 $ 2 The utilization of the theory of signs for an approach to cultural activities is grounded in the ...
Pagina 439
... human ) fail to reach it . The fact is that they point to a road leading away from the " human " object in the opposite direction . The painter , far from trying , more or less clumsily , to move toward reality , seems to have evaded it ...
... human ) fail to reach it . The fact is that they point to a road leading away from the " human " object in the opposite direction . The painter , far from trying , more or less clumsily , to move toward reality , seems to have evaded it ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words