A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 65
... ideas , but the ideas form a train only because they are much more than what an analytic psychology calls ideas . They are phases , emotionally and practically dis- tinguished , of a developing underlying quality ; they are its moving ...
... ideas , but the ideas form a train only because they are much more than what an analytic psychology calls ideas . They are phases , emotionally and practically dis- tinguished , of a developing underlying quality ; they are its moving ...
Pagina 171
... ideas . In any association of ideas two images are tied to each other by something different , like sticks by a cord . In poetry they are tied by affects . If a word is abstracted from its surroundings and con- centrated on in the same ...
... ideas . In any association of ideas two images are tied to each other by something different , like sticks by a cord . In poetry they are tied by affects . If a word is abstracted from its surroundings and con- centrated on in the same ...
Pagina 219
... idea of things is composed exclusively of per- ceptual elements , of the ideas of form and of motion . The beauty of objects , however , forms an exception to this rule . Beauty is an emotional element , a pleasure of ours , which ...
... idea of things is composed exclusively of per- ceptual elements , of the ideas of form and of motion . The beauty of objects , however , forms an exception to this rule . Beauty is an emotional element , a pleasure of ours , which ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words