A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 41
... images and the meta- phor suggests that there is a hidden depth from which the images emerge - a well from which they rise up like genii in the Arabian Nights . And such we know to be the actual truth . These images , when we are not ...
... images and the meta- phor suggests that there is a hidden depth from which the images emerge - a well from which they rise up like genii in the Arabian Nights . And such we know to be the actual truth . These images , when we are not ...
Pagina 103
An Anthology Melvin Miller Rader. the spurious image , and of enriching in this way the con- cept of the image and of art . What function ( it is asked ) can a world of pure images possess in the spirit of man , without philosophical ...
An Anthology Melvin Miller Rader. the spurious image , and of enriching in this way the con- cept of the image and of art . What function ( it is asked ) can a world of pure images possess in the spirit of man , without philosophical ...
Pagina 104
... images were to find their common center unit of union in a comprehensive image : and the esthetic of the nineteenth ... images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is ...
... images were to find their common center unit of union in a comprehensive image : and the esthetic of the nineteenth ... images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words