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Pagina 41
We speak commonly of “ calling up ” images and the metaphor suggests that
there is a hidden depth from which the images emerge - a well from which they
rise up like genii in the Arabian Nights . And such we know to be the actual truth .
We speak commonly of “ calling up ” images and the metaphor suggests that
there is a hidden depth from which the images emerge - a well from which they
rise up like genii in the Arabian Nights . And such we know to be the actual truth .
Pagina 103
the spurious image , and of enriching in this way the concept of the image and of
art . What function ( it is asked ) can a world of pure images possess in the spirit
of man , without philosophical , historical , religious or scientific value , and ...
the spurious image , and of enriching in this way the concept of the image and of
art . What function ( it is asked ) can a world of pure images possess in the spirit
of man , without philosophical , historical , religious or scientific value , and ...
Pagina 104
images and allowing them to succeed one another capriciously , by combining
one image with another in a like capricious manner , joining a horse's neck to a
human head , and thus playing a childish game . Old Poetic availed itself above
all ...
images and allowing them to succeed one another capriciously , by combining
one image with another in a like capricious manner , joining a horse's neck to a
human head , and thus playing a childish game . Old Poetic availed itself above
all ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |