A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 94
Pagina 104
... imagination is sterile , adapted to extrinsic com- binations and not to the generation of organism and life ... imagination " and " fancy " in a sense opposite to the modern English usage . The Italian " fantasia " corresponds to our ...
... imagination is sterile , adapted to extrinsic com- binations and not to the generation of organism and life ... imagination " and " fancy " in a sense opposite to the modern English usage . The Italian " fantasia " corresponds to our ...
Pagina 237
... imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life , as the outcome and expression of his ...
... imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life , as the outcome and expression of his ...
Pagina 576
... Imagination , London , 1929 . Fry , Roger , Transformations , London , 1926 . Vision and Design , London , 1920 . - Last Lectures , Cambridge , 1939 . Gerard , R. W. , " The Biological Basis of Imagination , " Scien- tific Monthly , Vol ...
... Imagination , London , 1929 . Fry , Roger , Transformations , London , 1926 . Vision and Design , London , 1920 . - Last Lectures , Cambridge , 1939 . Gerard , R. W. , " The Biological Basis of Imagination , " Scien- tific Monthly , Vol ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words