Dall'interno del libro
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Pagina 104
Old Poetic availed it- self above all of the concept of unity , in order to express this distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied ...
Old Poetic availed it- self above all of the concept of unity , in order to express this distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied ...
Pagina 237
lute fact all through , and it explains not merely the inter- pretation of lines and shapes , but the whole range and working of the esthetic imagination in the province of fine art , which is its special province .
lute fact all through , and it explains not merely the inter- pretation of lines and shapes , but the whole range and working of the esthetic imagination in the province of fine art , which is its special province .
Pagina 576
Downey , June , Creative Imagination , London , 1929 . Fry , Roger , Transformations , London , 1926 . Vision and Design , London , 1920 . Last Lectures , Cambridge , 1939 . Gerard , R. W. , “ The Biological Basis of Imagination ...
Downey , June , Creative Imagination , London , 1929 . Fry , Roger , Transformations , London , 1926 . Vision and Design , London , 1920 . Last Lectures , Cambridge , 1939 . Gerard , R. W. , “ The Biological Basis of Imagination ...
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Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |