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Pagina 15
II Imitation in Art Art , as such , consists not in imitating but in making , in composing or constructing , and that according to the laws of the very thing to be placed in being ( ship , house , carpet , colored canvas or hewn block ...
II Imitation in Art Art , as such , consists not in imitating but in making , in composing or constructing , and that according to the laws of the very thing to be placed in being ( ship , house , carpet , colored canvas or hewn block ...
Pagina 18
To set up the perfection of imitation materially considered as an end would therefore involve ordering oneself with a view to what is purely material in the work of art ; a servile imitation absolutely foreign to art.19 What is required ...
To set up the perfection of imitation materially considered as an end would therefore involve ordering oneself with a view to what is purely material in the work of art ; a servile imitation absolutely foreign to art.19 What is required ...
Pagina 305
It is an intelligible interpretation of the doctrine of " imitation " to regard it as a theory of the sign - character of the work of art . For " imitation " was never originally limited to literal reproduction of existing objects ...
It is an intelligible interpretation of the doctrine of " imitation " to regard it as a theory of the sign - character of the work of art . For " imitation " was never originally limited to literal reproduction of existing objects ...
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Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |