A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 190
... important as the activity of speech itself , and as generally diffused . . . . We are accustomed to understand art ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the infectiousness ...
... important as the activity of speech itself , and as generally diffused . . . . We are accustomed to understand art ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the infectiousness ...
Pagina 231
... importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist , he ... important books Aesthetic Analysis and Aesthetic Judgment . He begins with an 2 " Croce's Aesthetic , " Proceedings ...
... importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist , he ... important books Aesthetic Analysis and Aesthetic Judgment . He begins with an 2 " Croce's Aesthetic , " Proceedings ...
Pagina 293
... important among our attitudes can be aroused and maintained without any belief entering in at all . Those of Tragedy ... important , these worlds have an order , with regard to one another , which is the order of the mind ; and ...
... important among our attitudes can be aroused and maintained without any belief entering in at all . Those of Tragedy ... important , these worlds have an order , with regard to one another , which is the order of the mind ; and ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words