A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 374
... individual type patterns type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art , he can use type patterns as tools of ...
... individual type patterns type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art , he can use type patterns as tools of ...
Pagina 373
... individual and traditional , are important to all concerned with the arts . To the ordinary perceptive person they can be the starting - point of an apprehension of the total individual design of a creation . The swirl of a Tintoretto ...
... individual and traditional , are important to all concerned with the arts . To the ordinary perceptive person they can be the starting - point of an apprehension of the total individual design of a creation . The swirl of a Tintoretto ...
Pagina 459
... individual need of activity represents at the same time a restriction of its illimitable possibilities , a denial of ... individual , for this individual has in just such contemplation lost himself : but he is the pure , will ...
... individual need of activity represents at the same time a restriction of its illimitable possibilities , a denial of ... individual , for this individual has in just such contemplation lost himself : but he is the pure , will ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words