A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 45
... instinctive appropriate action . We see a wild bull in a field ; quite without our conscious interference a nervous process goes on , which , unless we interfere forcibly , ends in the appropriate reaction of flight . The nervous mecha ...
... instinctive appropriate action . We see a wild bull in a field ; quite without our conscious interference a nervous process goes on , which , unless we interfere forcibly , ends in the appropriate reaction of flight . The nervous mecha ...
Pagina 164
... instinctively common part of man's consciousness . It is an approach to the secret unchanging core of the genotype in ... instinctive , it is enduring . In it the instincts give one loud cry , a cry which expresses what is common in the ...
... instinctively common part of man's consciousness . It is an approach to the secret unchanging core of the genotype in ... instinctive , it is enduring . In it the instincts give one loud cry , a cry which expresses what is common in the ...
Pagina 170
... instinctive are replaced by apparently arbitrary memory - images , but which really are associated by the affective ties of simple unconscious wishes . They are organized by the appetitive activity of the instinctive and therefore ...
... instinctive are replaced by apparently arbitrary memory - images , but which really are associated by the affective ties of simple unconscious wishes . They are organized by the appetitive activity of the instinctive and therefore ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words