A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina xv
... interests focus , or with which our interests are fused . An interest is an attitude of liking or disliking , of preference , appreciation , or appraisal . It is a hedonic , emotional , or volitional state , perhaps qualified by judg ...
... interests focus , or with which our interests are fused . An interest is an attitude of liking or disliking , of preference , appreciation , or appraisal . It is a hedonic , emotional , or volitional state , perhaps qualified by judg ...
Pagina 85
... interest . The beholder must go through these operations according to his point of view and interest . In both , an act of abstraction , that is of extraction of what is significant , takes place . In both , there is comprehension in ...
... interest . The beholder must go through these operations according to his point of view and interest . In both , an act of abstraction , that is of extraction of what is significant , takes place . In both , there is comprehension in ...
Pagina 476
... interest tends to reverse this order . We normally take pains to re - create what , at first glance , arouses our artistic interest ( i.e. , elicits a prelimi- nary , more or less favorable , judicial estimate ) , and histori- cal ...
... interest tends to reverse this order . We normally take pains to re - create what , at first glance , arouses our artistic interest ( i.e. , elicits a prelimi- nary , more or less favorable , judicial estimate ) , and histori- cal ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole