A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 9
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object known ...
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object known ...
Pagina 101
... intuitive or sensible knowledge to the conceptual or intelligible , the esthetic to the noetic , it aims at claiming the autonomy of this more simple and elementary form of knowledge , which has been compared to the dream ( the dream ...
... intuitive or sensible knowledge to the conceptual or intelligible , the esthetic to the noetic , it aims at claiming the autonomy of this more simple and elementary form of knowledge , which has been compared to the dream ( the dream ...
Pagina 112
... Intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual func- tion ; indifferent to later empirical discriminations , to reality and to unreality , to formations and apperceptions of space ...
... Intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual func- tion ; indifferent to later empirical discriminations , to reality and to unreality , to formations and apperceptions of space ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words