A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxix
... Isolationist and Contextualist Esthetics This interpretation of art helps us to resolve another fundamental dispute in esthetic theory : the conflict between what we can call the isolationist and contextualist theories of art . A ...
... Isolationist and Contextualist Esthetics This interpretation of art helps us to resolve another fundamental dispute in esthetic theory : the conflict between what we can call the isolationist and contextualist theories of art . A ...
Pagina xxx
... isolationist , or as medi- ating between the two . Both the isolationist and the contextualist interpretations have their dangers . Isolationism tends to make art irre- sponsible , precious , and dehumanized . Contextualism tends to ...
... isolationist , or as medi- ating between the two . Both the isolationist and the contextualist interpretations have their dangers . Isolationism tends to make art irre- sponsible , precious , and dehumanized . Contextualism tends to ...
Pagina xxxii
... isolationist approach is exclusively valid ; but if we consider impure art or the way art in actual life becomes ... isolationist would admit that such indeed is the case . Of course , the contextualist does insist much more emphatically ...
... isolationist approach is exclusively valid ; but if we consider impure art or the way art in actual life becomes ... isolationist would admit that such indeed is the case . Of course , the contextualist does insist much more emphatically ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words