A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 197
... judgment . It is all a question of propriety of speech , and of the empty titles of things . The verbal and mechanical proposition , that passes for judgment of worth , is the great cloak of ineptitude in these matters . Insensibility ...
... judgment . It is all a question of propriety of speech , and of the empty titles of things . The verbal and mechanical proposition , that passes for judgment of worth , is the great cloak of ineptitude in these matters . Insensibility ...
Pagina 200
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of ... judgment is necessarily intrinsic and based on the character of the immediate experience , and never consciously on ...
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of ... judgment is necessarily intrinsic and based on the character of the immediate experience , and never consciously on ...
Pagina 501
... judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any such critic that relevance depends on a judgment of immediate value by him . As regards judgments of immediate value , and in ...
... judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any such critic that relevance depends on a judgment of immediate value by him . As regards judgments of immediate value , and in ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words