A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 198
... judgments of fact for judgments of value , is a sign of a pedantic and borrowed criticism . If we approach a work of art or nature scientifically , for the sake of its historical connections or proper classification , we do not approach ...
... judgments of fact for judgments of value , is a sign of a pedantic and borrowed criticism . If we approach a work of art or nature scientifically , for the sake of its historical connections or proper classification , we do not approach ...
Pagina 200
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is only derivative , and ...
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is only derivative , and ...
Pagina 215
... judgments supported by those of others ; we are intolerant , if not of the existence of a nature different from our own , at least of its expression in words and judgments . We are con- firmed or made happy in our doubtful opinions by ...
... judgments supported by those of others ; we are intolerant , if not of the existence of a nature different from our own , at least of its expression in words and judgments . We are con- firmed or made happy in our doubtful opinions by ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words