A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 198
... judgments of fact for judgments of value , is a sign of a pedantic and borrowed criticism . If we approach a work of art or nature scientifically , for the sake of its historical connections or proper classification , we do not approach ...
... judgments of fact for judgments of value , is a sign of a pedantic and borrowed criticism . If we approach a work of art or nature scientifically , for the sake of its historical connections or proper classification , we do not approach ...
Pagina 200
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is only derivative , and ...
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is only derivative , and ...
Pagina 215
... judgments supported by those of others ; we are intolerant , if not of the existence of a nature different from our own , at least of its expression in words and judgments . We are con- firmed or made happy in our doubtful opinions by ...
... judgments supported by those of others ; we are intolerant , if not of the existence of a nature different from our own , at least of its expression in words and judgments . We are con- firmed or made happy in our doubtful opinions by ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole